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2010 HUMANITAS Prize
Finalists Announced for 36th Annual HUMANITAS Prize Honoring Great Television and Film Writing

CBS President Nina Tassler to Deliver Keynote Speech at Awards
Los Angeles, Calif. (July 14, 2010) Thirty-four writers were named finalists in seven categories for the 36th Annual HUMANITAS Prize, it was announced today by HUMANITAS Executive Director Cathleen Young and President John Wells. The writers will be competing for $90,000 in prize money to be handed out at the annual luncheon which will be held on Thursday, September 16, 2010 at the Montage Beverly Hills. The HUMANITAS Prize was created 36 years ago to reward great writing for television and film.

"HUMANITAS exists to shine a light on writers who inspire us to think, feel, laugh and cry with stories that tell us where we've been, where we are and where we are going," commented Young. "Today's finalists epitomize all that HUMANITAS stands for: fully realized characters and elegant, powerful storytelling that entertains and uplifts us." CBS Entertainment President Nina Tassler will deliver the keynote address at this year's luncheon. "From her roots in theatre, to her start as an agent in this industry, to her transition to the executive ranks, Nina Tassler has proven herself to be an extraordinary, visionary talent and a passionate champion of writers and great storytelling," said Wells. "We are thrilled to have Nina as our keynote speaker."

The HUMANITAS Prize finalists are: Feature Film Category ($10,000)
THE HURT LOCKER Screenplay by: Mark Boal (Summit Entertainment)
THE LITTLE TRAITOR Screenplay by: Lynn Roth (Westchester Films)
THE MESSENGER Screenplay by: Alessandro Camon & Oren Moverman (Oscilloscope Pictures)
PRECIOUS: Based on the Novel 'PUSH' by Sapphire. Screenplay by: Geoffrey Fletcher (Lionsgate)

THAT’S A WRAP! - PALM BEACH CLOSES 13TH ANNUAL FILM FEST, FILM AWARD WINNERS ANNOUNCED
PALM BEACH, FL (April 17. 2008) –The Palm Beach International Film Festival announced that The Audience Choice Award for Best Feature Film went to “The Little Traitor,” written and directed by Lynn Roth.

PRAISE FOR “THE LITTLE TRAITOR” - Brandon K. Thorp, Palm Beach International Film Festival
“The Little Traitor is the rare political work that keeps its politics out of sight, where they belong. It's also the rare movie that seems to actually know what it's like in a kid's head. By keeping the cameras with Proffy — played with cunning sweetness by Israeli Ido Port — the film creates and maintains the contours of a child's archetypal summer. The days passing in “The Little Traitor” could go in any direction, and the commingled joy and dread in each is vivid, tactile, and totally inexplicable. The dread is surreal, like something out of Grimm, but that's just a question of perspective. Little Traitor takes place in British-occupied Palestine circa 1947, and the adults in the movie's background face a dread far more concrete than Proffy's. Though Israel is on the verge of statehood, there are still strict curfews in place, and British soldiers are likely to interrupt your dinner with a sudden house search. Sensing the zeitgeist, Proffy and his friends meet in secret and plan to blow up Englishmen. These are cute kids, and it feels weird hearing them scream, "Kill the British!" Rushing home one day after curfew, Proffy is apprehended by a gruff, mean-looking English soldier, Sergeant Dunlop. Threatening Proffy with arrest and whipping, and generally trying to scare him straight, Dunlop escorts him home and drops him off with his parents. Impressed by the kid's precocity, Dunlop tells Proffy to pay him a visit sometime, and the two become friends, talking about the Book of Daniel, language and girls. This all goes swimmingly until Proffy's friends find out. The grown-up Zionist hardliners in Proffy's neighborhood can't imagine anything as innocent as mere friendship springing up with a British imperialist; Proffy is informally labeled a traitor and his life becomes miserable. This business of putative enemies becoming buds would be insufferably cute if director Lynn Roth had tried to over-moralize the thing, but she doesn't. Proffy's just a kid, and Dunlop's just a guy — a preternaturally kind one, played with expansive good will by Alfred Molina. He's lonely, maybe a little too intellectual for the military life, and Proffy's a little too sensitive to be a good militant. If The Little Traitor is cute, it's not affectedly so — it gets there on the basis of a good, honest heart.”

ASSOCIATED CONTENT
LA Jewish Film Festival commemorates Israel's 60th Birthday at opening gala, May 8, 2008 premiere of “The Little Traitor.”

The film, “The Little Traitor,” directed and produced by Lynn Roth, is based on Amos Oz' novel, “Panther in the Basement,” and focuses on an exceptionally brilliant, precocious, spirited youth, Proffy, in 1947, right before Israel becomes a state. By a chance encounter with a British officer, brilliantly portrayed by Alfred Molina, the two build a close friendship that changes their lives forever.

In this work of passion and dedication, Lynn Roth declares her need to share important stories, events, and characters of depth, that led up to Israel's independence. As Proffy, played by Ido Port, a rising child star in Israel, bonds, and makes friends "with the enemy," (British soldier, Sergeant Dunlop, played by Molina); his peers and community consider him a "traitor," yet the relationship that ensues is truly the heart and soul of the film's storyline, and a true picture of humanity. The young star of the film brings an extraordinary freshness and sense of innocence to the screen, as his portrayal is sincere and natural, despite the quite demanding role for one his age.

Lynn Roth made a major effort to be loyal to Amos Oz's book, in depicting this story, and quite effectively captured the essence of the environment/atmosphere and accurately portrayed a pivotal time in Israel's history. It is both a coming of age story of young Proffy, exploring his interest in girls; bonding with male role models; as well as a semi-documentary with genuine footage of historic events at the time, when Israel was declared an independent state in 1948. The legendary Theodore Bikel, who plays a cameo role in the film, was honored at this evening's event, for his range of work within the Jewish community. Upon accepting this honor, Bikel spoke about the importance of presenting Jewish culture as a "living, breathing expression of a people-a need to be nurtured, not just an heirloom of our ancestors, hidden away in an attic.... Yesterday points to today, and then to tomorrow."

The LA Jewish Film Festival runs through May 15th, and each unique film screening is not only carefully selected, but "Chosen!"

VARIETY - Yes--Before Cannes
On p.75 of Variety's Cannes Film Festival issue, and leading off the Cannes Market Listings, is a terrific half-page picture of Alfred Molina and Ido Port in a poignant scene from "The Little Traitor." It screens May 14 in Cannes. We saw it at the Los Angeles Jewish Film Festival premiere May 8 at the Writers Guild Theater in Beverly Hills. The event also celebrated Israel's 60th anniversary. What perfect timing for the film which is set during Great Britain's occupation (Mandate) in what was to become the state of Israel. It stars two incredibly emotion-tugging actors -- one is the multi-credited international thesp Molina as the British occupying soldier. His costar is 11-year-old Israeli Port. The teaming is terrific, and portends a bright future for Port. Meanwhile, Molina, whose credits range from Tevye in B'way's "Fiddler on the Roof" to Doc Ock in "Spider-Man," arrived in Israel for "The Little Traitor" from Budapest, where he starred in TNT's "The Company" and has now just wound "An Education." He's readying to leave for Marrakesh and Disney's "Prince of Persia" with Jake Gyllenhaal and directed by Mike Newell. It's based on the computer game, reports Molina, who is taking riding lessons for the live desert scenes for the grand film, which will include live action as well as computerized scenes to be created in London

Festival director Hilary Helstein conducted a congratulatory conversation with Molina and "The Little Traitor's" producer-writer-director Lynn Roth, who told of the making of the film. And taking a bow from the audience was executive producer Marilyn (Mrs. Monty) Hall whose father, Joseph Plottel, was in the 49th Royal Fusiliers under Allenby during the British Mandate. Marilyn said, "When I read Amos Oz's book, 'Panther in the Basement,' it resonated with my father's time in Palestine. I lovingly renewed the option for almost eight years."

"Panther in the Basement" became "The Little Traitor" as written by Roth. The Beverly Hills premiere also featured a special award presentation to Theo Bikel who, over the decades, has donated his multi talents for Israel causes. He has the evidence of his contributions in a room in his home he calls, "Plaque-istan."

ADDITIONAL REVIEWS

“Warm and engaging” - Kyle Smith New York Post - More info

“Funny, compelling and touching” - Pete Hammond BoxOffice. Com - More info

“A film of sweetness and subtle meaning” - John Anderson, Newsday - More info

“Delightful” - Rick Warner, Bloomberg News - More info

“Gorgeous” - Hannah Brown, Jerusalem Post

“Lyrical” - Betsy Sharkey, Los Angeles Times

“A tender and touching story, superbly acted and very moving” - Jeffrey Lyons, KNBC Radio

FIlm Forward -More info

NY Film Critics Online - Harvey Karten - More info